
Hail, Caesar! (2016)
First time rewatching Hail, Caesar! since it came out in theaters, and I still don’t think I understand what this movie’s trying to say.
I think it’s saying something about producing art under capitalism - somehow even after capitalism crushes any communist resistance, true art still ends up with a happy ending. But I can’t tell if it’s just making a frivolous homage to old Hollywood movies the Coens really liked, or if it’s saying something profound about art, commerce, society, and work. I honestly don’t know.
I’m watching this before the Blank Check episode comes out. I know David Sims is a big fan and considers this a masterpiece, and I’m excited to hear what he has to say - because my girlfriend and I were both left pretty flummoxed upon rewatch.
The performances are wonderful, though. I love Josh Brolin in this. I love Tilda Swinton. I love Channing Tatum’s dance number. Never forget that he’s a classically trained ballet dancer.
There’s clearly something here. I’m just not sure I’ve cracked what it is yet. Maybe I need to listen to some people smarter than me talk about it first.
Also on Letterboxd
Works on My Machine
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Joe
Karlsson
I write about my homelab, AI tools, databases, and the weird stuff I build on the side.
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